dia gallery.

Having a defined perimeter for this project made planning even more critical. During construction, it was essential to clearly indicate where visitors were welcome to enter. This was achieved by using tectonics to interrupt a motif, signaling the entry point. My approach focused on circulation, aiming for visitors to experience the space with varying levels of motion. Large open spaces encouraged pauses or decreased motion, while narrow paths facilitated increased motion. This movement choreography was enhanced by strategically placing guiding elements and forms to direct visitors between art installations. Additionally, the use of apertures and motifs played a significant role in establishing relationships between the art and the overall site, as well as bringing order to important spaces.